What’s New


"Paging Dr. Antares! Dr. Antares!"

Welcome! If you’re interested in my music, my writing, or my adventures, you’re in the right place. I stay pretty busy, so I’m constantly adding and updating things.

You can see where I’m playing live. If you want the next best thing, there are links to live performance videos on Youtube. You can marvel at the astonishing variety of artists with whom I have recorded. (Great fun for record geeks.) You can read my blog posts on various topics. (For example, here’s the Ten Commandments series of tips for young musicians.) You can also contact me, either about work or something you see on the site. Thanks for your interest!

Bulletins From A Working Musician


  • Hello, Vintage Guitar Magazine readers and any others who may be interested in hearing my new album! I’m still waiting for the cover art, but if you’d like to know when it’s available for purchase, contact me through this website and I’ll email you when it’s ready.


  • Mixing and mastering are done. My album is FINISHED! Waiting for the cover art now, then the real work starts: trying to recoup my investment. Special thanks to Liu Ortiz (mixing and mastering) and Comissioner Gordon Williams (mixing and reality checks) for helping bring the project over the finish line.
  • I’ll be in Mexico City, Mexico next weekend playing bass with the New York Ska-Jazz Ensemble at a big ska festival.
  • The Sting/Shaggy collaboration album, “44/876,” should be out in April. It’s not clear yet how many songs I played on will make the final cut, but I’ve been told that one is a sure shot. It’s fascinating to work with icons like Sting and Shaggy up close and get a sense of why they’ve achieved what they have.
  • As always, gigs around town coming up. Details here.


  • The HKE rhythm section (Karl Wright, drums, Earl Appleton, keys, Joshua Thomas, bass, and myself on guitar) played on some tracks for the upcoming Sting/Shaggy collaboration album, produced by ace producer and esteemed colleague Shaun (Sting International) Pizzonia. Sting X 2!! In mixing mode as I type.
  • The David Garfield cover of Bob Marley’s “Jamming” that I played on along with Mike Campbell and Brandon Rhodes was the most added song at Billboard Radio this week! Yes, I’m bragging.
  • Lots of gigs around town coming up. Details here.


  • Please help our brother Yao Dinizulu in his hour of need. https://www.gofundme.com/7jgw3v-yao-needs-our-help


  • Desperately trying to hit the mastering lab with the solo album by this Wednesday!!
  • No road work for now, but lots of stuff happening locally. Details here.


  • I see I was so busy in December I didn’t update my bulletin! Naughty, naughty. But there is much to report.
  • I’m at Birdland tonight through Saturday night with Monty Alexander and the Harlem-Kingston Express. Details here.
  • Along with the rest of the HKE rhythm section, I’ve been recording an album with an A list rock star whose name I cannot yet disclose. Look for it in May.
  • Still dithering on the solo album. SO CLOSE.


  • Believe it or not, (I still can’t believe it), Karl Wright, Joshua Thomas, and I recorded some tracks for Ranch Entertainment and Sting International (the REAL Sting) that may end up on a new O’Jays album! I’m a huge Philly soul fan (yes, I know the O’Jays are from Ohio, but their big records were mostly done in Philly) so this is a wonderful thought. You’ll know more when I do.
  • I will be appearing with Monty Alexander and the Harlem-Kingston Express at New York’s famous Birdland nightclub January 2 through January 6. Details here.
  • I did final mix tweaks with Comissioner Gordon Williams and Liu Ortiz on the solo album this week. We are almost there, and I’m very happy with the results. Liu will be mastering. Label and business deals are being sorted out. I’m still not sure yet when that might happen. But if I self-release it, that’s unlikely to happen until January.
  • The Earl Appleton Overproof residency at the Brooklyn Jazz and Sports Club is building up each week. Musicians and music lovers alike are making the trek to East Flatbush every Wednesday from 7 to 11 p.m. to hear our takes on reggae, jazz, soca, R&B, Latin, and whatever else Earl decides to bring to the gig that week. It’s wonderful to see a musician like Earl do exactly what he wants musically and have it work: for the audience, the band, and the venue. Details here.


  • Recording today with a famous guy, whose name I cannot utter for another few weeks. It went well.
  • Still vetting final mixes for the album, but the end is in sight. It looks like Liu Ortiz will be the mastering engineer, keeping it in the family. The celebrity cameo was recorded too, and is being edited as I type.
  • Going to Brooklyn, NY on Wednesday with Earl Appleton’s Overproof, and Austin, TX with Monty Alexander’s Harlem-Kingston Express. Details here.


  • More mixing with Comissioner Gordon Williams this week. All the songs are now very close to how I heard them in my head, which is a good feeling. Next week, if all goes according to plan, we’ll be assembling and labeling the files for submission to the mastering engineer. There may be a superstar cameo as well; waiting for the final word one way or the other.


  • The final track on my album is edited and in the hands of the remarkable Liu Ortiz for mixing. What a RELIEF! With luck the album will be mixed and mastered in a couple of weeks. Most of the songs are done. Then there’s the business end. I sense a blog post in the future.


  • I’ve been recording a lot of acoustic guitar at home for various projects. I recently played on songs by Shuga and Peter Sancho, and I’m doing another one for the Clarendonians shortly.
  • Great surprise gig with Monty Alexander at Tarrytown’s new jazz venue, the Jazz Forum. I’ll be back as a paying customer because I need to have the meatballs again and the room sounds wonderful.
  • On the final edits of the last song for my album.
  • My show in Mexico City with New York Ska-Jazz Ensemble, postponed because of the earthquake, has been rescheduled for February 17, 2018.


  • I added bass to a song on the new Monty Alexander/Harlem-Kingston Express album. John Scofield added guitar to several tracks as well. Yes, I stayed around to watch him! What a master!
  • More mixing of the infamous solo album with Commissioner Gordon Williams at his top-secret pad in the Bronx.
  • It looks like international travel is done for the year, though that could change with a phone call.
  • I’m also working on some recordings for various NYC-based reggae artists.


  • I’ll be in Chile for a week playing bass with the New York Ska-Jazz Ensemble. It’s my first trip there and I’m really looking forward to it.
  • The latest New Kingston album “A Kingston Story: Come From Far” is now out on Easy Star Records. I play on a number of tracks; I think it’s their strongest work yet. Make sure you catch them on tour!
  • No progress yet on the solo album, though I’m already laying the groundwork for my publicity campaign. Now we’re looking at an October completion date…


  • Lots of shows for the rest of August! Details here.
  • Don’t ask me about my album this week. Ask me next week!


  • I will be traveling with Monty Alexander‘s Harlem-Kingston Express to Russia and Norway this week.
  • My ad hoc jazz ensemble, Andy Bassford’s Jazz Conspiracy, will be appearing at the Brooklyn Jazz & Sports Club tonight. Details here.
  • Guitar tracks are finished on the album project! One vocal part and plenty of editing to do, but the heavy lifting is over. I am hoping for a September completion date.
  • I will be traveling to Chile and Mexico in September with New York Ska-Jazz Ensemble.


  • I’m recording an unplugged video with Bushman, Johnny Osbourne, and D Medz for Junior Hinds and I Never Knew TV in Brooklyn on Sunday.
  • I’ll be appearing at Dizzy’s Club Coca-Cola in Manhattan with Monty Alexander. Details here.
  • There are only two guitar parts and one vocal part to add to the album project. Then I’m done with tracking! Hoping to be finished with mixing by the end of the month.


  • The final tracking session for my solo album is scheduled for Thursday. At least I hope it’s the final session!
  • For my NY area friends, Monty Alexander‘s Harlem-Kingston Express will be appearing in mid-July at one of our favorite venues, Dizzy’s Club Coca-Cola in Manhattan. Details here.


  • I’ve been traveling with Monty Alexander‘s Harlem-Kingston Express. We’ve been to France, Africa (twice), and the West Coast in the last six weeks. Whew! We’ll be flying to Romania next Friday. Jazz and reggae in Romania? Why not?
  • My computer died, hence the paucity of updates here. But thanks to the brilliant Liu Ortiz (who also is a great engineer) it’s up and running.
  • I appeared with Addis Pablo at B. B. King’s on Wednesday night. I worked with his father, Augustus Pablo, back in the 80s. I played on a Viceroys album Augustus produced. I have now officially been around long enough to work with both fathers and sons…a sobering thought!
  • I found some new recordings I’ve played on but I haven’t had time to add them to the discography yet.
  • Mixing for the album is going well. Some tunes are finished! I hope to complete the tracking before I go away now that the computer is up and running.
  • Oh, I’m now on Instagram! You can click on the link at the top of my home page or you can go here.


  • I’m back to working on the solo project after a great two weeks with Monty Alexander and HKE in England and France. My suitcase liked Europe so much that it’s still over there…argh.
  • I recently recorded a video with upcoming artist Fari DiFuture for I Never Knew TV along with Blue People co-founder and JA music legend Larry McDonald, Little Bassie from Emperor’s Choice and…I’m sorry! I can’t remember the other drummer’s name! You can see it here.
  • We’re going to Cali next week! Details here.


  • This week has been about the studio. I’ve been mixing madly with Commissioner Gordon at his top secret studio location in the Boogie-Down Bronx. We have five songs almost ready to go, with five more left, then the inevitable tweaking, recrimination, and revision.
  • I’ve also been working with Keisha Martin. I added guitar to two songs and bass to one for her upcoming album with producer Andre BG at his studio in Brooklyn.
  • I’m heading to England and France in a couple of weeks with Monty Alexander. Details here.


  • I’m back from the road, and getting ready for another trip with Monty Alexander in May. In the meantime, I’m playing around town and trying to finish my record.
  • I’m now on Instagram. I’m not a great photographer by any means, but a lot of my friends and fans expressed interest in seeing pictures and footage of my travels. So I’ve joined up. You can see footage from our most recent trip to France and Senegal.
  • More mixing of the solo project with Commissioner Gordon this week.
  • I’m also working on another track for the wonderful LA-based keyboard player David Garfield’s solo project, long distance.


  • I’m about to go to Paris and Senegal with Monty Alexander’s Harlem-Kingston Express! It looks like a busy summer. We will be going to France again, as well as South Africa and Ronnie Scott’s in Soho, London, UK. There is a short US West Coast run too. Details here.
  • I’ve been working with the brilliant keyboardist/producer Sidney Mills from Steel Pulse on an album by Spice. One track features 80s DJ legend Sassafras. The record has an old school playing vibe but with new sounds. Sidney plays on a number of tracks on my album as well. He’s one of my favorite people and producers.
  • I recently guested with New Kingston at their headlining show at the Highline Ballroom in NYC.
  • I’m still obsessing over mixes for the solo album. I’d love to delegate this, but I can’t!


  • I finally finished work on a song for LA keyboard wizard David Garfield (George Benson, Los Lobotomys, et al) in my home studio. It’s called “Winning” and features Alex Ligertwood, Steve Ferrone, Will Lee, David, Mike Finnigan, Lenny Castro, and James Harrah: all monsters! David wanted a reggae flavor so I did my best to evoke one of my heroes and mentors, the late Nearlin “Lyn” Taitt. He liked the parts I sent him; I’m waiting to see if he needs additional takes or tweaks. I find long distance sessions to be much harder as there’s no one in the studio to serve as an audience. It’s just me and the computer screen, which doesn’t talk back.
  • I’ve been playing a lot of acoustic guitar live recently, as well as electric bass. It’s great to double! I performed at the Church Center of the United Nations on Tuesday with rising R&B star T-Kross and at Club Nabe in Harlem on Friday with Queen of Jamrock Soul Keisha Martin. I like the vocal/guitar duo format a lot; it’s all on me! I would have disliked that a few years ago. Now I enjoy the challenge.
  • Next month I go to Paris and Senegal with Monty Alexander’s Harlem-Kingston Express, so I’m running around getting vaccinated. Most of the places I visit don’t require any special precautions. Senegal does, apparently.
  • My solo album has been on the back burner for the last three weeks. Time to heat up the pots again.


  • After a quiet winter, things are stirring on the gig front. I’m appearing with Junior Kelly tonight in the Bronx, and more shows are coming in daily, it seems.
  • Mixing and mixing.
  • I’m working long distance on a track for David Garfield’s upcoming solo album. David is the keyboardist and musical director for the iconic George Benson, so I’m fussing over this one!
  • I’m still amazed how many people inquire about the records I made for the late Henry “Junjo” Lawes with Roots Radics. Very thankful that people still care more than thirty-five years later!


  • Still more mixing! Recording the album is the easy part.


  • More mixing sessions for my album with Commissioner Gordon Williams at his super-secret Bronx location. The project is really taking shape.
  • I’m also starting to play the mixes for labels and business people, another step in the process. The early response has been positive.
  • I also met with my cover artist, Earth, who used to work for Marvel and spent a long time making Sonic the Hedgehog come to life for Sega. Earth is also a fine keyboardist and producer, though he doesn’t appear in those functions on my album.
  • I will be appearing with Monty Alexander‘s Harlem-Kingston Express this weekend at the Jazz Standard in New York City. We will be performing a “Tribute To Studio One” as part of the proceedings. Details here.
  • I did some session work for Louis Atlas’ new EP at Christian Cassan’s terrific studio in Williamsburg. My playing is all over his latest release, Arms of Heaven, which is available here. Louis told me that three tracks from the album are going into rotation at “Trop-Rock” radio. I didn’t know that Trop-Rock was a thing, but apparently it is, and they like us. Fine with me!
  • Unbeknownst to me, the 2005 “Dukes of Hazzard” movie uses a song I did for the Wailing Souls back in 1980, “Oh What A Feeling,” as a non-featured sound recording. The good people at AFM/SAG-AFTRA sniffed it out and sent me a check for $11.30. I thought I had succeeded in living a life absolutely unrelated to Jessica Simpson, but it seems I’ve been mistaken. The check makes it all worthwhile though. I can’t imagine what sort of mind would put a Wailing Souls song in a Dukes of Hazzard movie, but then I live in the Bronx, not LA. There’s probably a reason for that.


  • January looks to be relatively quiet in terms of work, so my focus is getting my solo album finished and mixed…then figuring out how to make it available in today’s wacky marketplace.
  • I was recently interviewed by Junior Hinds of I Never Knew TV. Junior and his team did a terrific editing job and I’m very happy with how it came out. You can see it here.
  • I was also recently interviewed by Howard Jay and his team. I’ll link to that when it becomes available. I used to be nervous about interviews, but it’s like anything else, you improve with practice.
  • Lots of new additions to my Discography as well. I registered some of the various alternate spellings of my name with the AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund in order to collect some performance royalties, and lo and behold, a number of new credits appeared on the www.discogs.com website! It took a couple of hours, but I entered them on the web page. A lot of them were sessions I was proud of at the time. But I had no idea they had been released.


  • I will be returning to the scene of the crime…Kingston, Jamaica! Tomorrow I will be appearing with Monty Alexander‘s Harlem-Kingston Express for a special show at the Pegasus Hotel on Sunday, December 11. I expect to see dozens of old friends and make new ones. The Pegasus holds many memories for me. I used to live in the neighborhood. It’s not far from Lloyd Parks’ house. It’s close to the infamous Holborn Apartments, home of J.C. Lodge and Errol O’Meally, Allah Lloyd, and the late Trevor Roper of Chalice back in the day. I was a frequent visitor. And on Tuesdays and Thursdays I would go to the Pegausus to listen to, and sit in, with the late JFM President Sonny Bradshaw’s group. I met the great Winston Grennan at the Pegasus too, beginning one of the deepest musical relationships of my life. I haven’t played in Jamaica for quite a while now, so to say I’m excited about this is an understatement. Details here.
  • The solo album is still in the mixing stages. I’ve been keeping it close to my chest until it’s finished, but the early reactions from those who’ve heard it indicate I might have something.
  • I’ll be appearing with Marcia Griffiths and Derrick Barnett and the Statement Band at the Bearsville Theatre in Woodstock, NY on December 17th. Details here.
  • Recently I was interviewed by Junior Hinds of I Never Knew TV. Junior asked some great questions and we had a lot of fun talking about the early days. You can see the interview here.


  • I’ll be in Chicago from Thursday through Sunday with Monty Alexander‘s Harlem-Kingston Express. Details here.
  • Commissioner Gordon and Sting International (the REAL Sting) are both working on mixes for the solo album. I hope to have it ready by the end of the year.
  • I did a wonderful session for Ranch Entertainment (Shaggy’s company) with Sting International producing. We did eleven tracks in one day, just like old times.
  • I will be returning to Jamaica with Monty Alexander to play a benefit for the University of the West Indies at the Pegasus Hotel on December 11th. No further details yet. Bookings are already coming in for Monty and HKE for next year. Work is good!


  • I had a great evening reminiscing with Ras Midas a week or so ago. I’m on his new album, which means more additions to my Discography.
  • We are finally mixing the solo album!
  • More recording with Commissioner Gordon and Sting International (the REAL Sting) for Dajla Laila and Assassin, respectively. I used to be terrified of recording when I started out, even when I was doing it every day. Now I love it.
  • I’ll be in Miami this coming weekend, and in Chicago for Thanksgiving weekend with Monty Alexander‘s Harlem-Kingston Express. Details here.
  • Both my sons, Ethan Bassford and Liam Bassford, are very musical. They also have interesting websites. Show them some link love!


  • I just posted the first of an ongoing series about practicing, Howls From The Woodshed. It’s primarily for guitar players, though of course others may find it of interest. No guarantees though! Here’s #1.
  • On Wednesday I recorded another podcast for Amps and Axes, a great website for guitar geeks and those who would hope to understand them. Both podcasts are online now. You can listen to them here and here.
  • I’m playing bass a lot these days and loving it. Find out where you can see me do it here.
  • There are a couple of new additions to my Discography as well.
  • Uh, yes, there is a solo album in the pipeline.


  • Yesterday I recorded a podcast for Amps and Axes, a wonderful guitar geek site hosted by Jeff Bober and Mick Marcellino, two experts on both. It was a lot of fun for me. I don’t know if they can use it, as I talked for an hour and a half and only got as far as 1980! But hopefully we can re-record it if necessary. I’ll keep you posted when it’s available.
  • More gigs, as usual. Details here.
  • I recorded a 45 (yes, a vinyl 45!) for the Far East called “Can We Make It Up.” The session took place earlier this year, and it’s now available. Josh Hahn recorded my part at one of my favorite studios, the Relic Room here in NYC. They were kind enough to credit me on the flip side, an event that’s only happened one other time in my long career. Here’s their website. And here’s where you can buy the 45.
  • My teaching practice may be expanding in October. We’re working on it now. If you are interested, you can contact me through this website.
  • More session work for the REAL Sting later today.


  • You can now call me “Professor.” They did at SUNY Purchase, where I covered a songwriting class for the great Carl Sturken, who is on tour with Kandace Springs in the Orient.
  • I’m playing a lot more bass these days, and really enjoying it. I’m finding soca/calypso bass particularly enjoyable.
  • Some more dates with Monty Alexander‘s Harlem-Kingston Express coming up, including a run at the Jazz Standard in February. Details to follow
  • I did some session work for the REAL Sting (Shaun Pizzonia), Shaggy’s multi-platinum producer, playing slide on a Sanchez song, of all things. We’ll be working on a Beres Hammond project soon. Sting and Shaggy are great people to work with, and I’m looking forward to it.
  • My own album? Sting has volunteered to mix it! He has most of the music. I’m still going to do mixes with Gordon Williams though…I want to make sure it’s good.
  • There will be new additions to my discography when I can get a minute.


  • Playing the Newport Jazz Festival was an iconic experience, that’s the only way to describe it. But now we look forward.
  • I’ve been playing a lot of bass recently, and working with a new group of old friends: Overproof Cari-Jazz Collective, led by one of my favorite musicians and people, keyboard wizard Earl Appleton. Overproof is exactly what it sounds like: a high-octane dose of improvised music with a strong Caribbean flavor. The personnel vary, but everyone has strong roots in the Caribbean, and the repertoire is familiar to people from the islands. For gig details, go here.
  • My overseas adventures seem to be finished for the year, but I’m super busy locally. For Monty Alexander‘s Harlem-Kingston Express fans, we will be at the Blue Note in NYC for what look to be our last appearances here of the year. Details here.
  • I’ll also be appearing with Derrick Barnett and the Statement Band backing reggae superstar Luciano on Thursday, September 1, at the Brooklyn Museum on Eastern Parkway. Third World and an all star cast round out the bill. We hit around 7 p.m. I think it’s free!
  • I am also slated to work on the upcoming New Kingston album in early September. I’ve known these guys forever, and they are hitting new peaks, as their Reggae On The River 2016 performance proved. I’ve had cameos on just about every NK release but this is the first time I’m going to be involved all the way through. I’m really looking forward to this.
  • My solo album? Ahem. Next question. I hope to resume work on it soon.


  • I’m looking forward to playing the Newport Jazz Festival this Saturday with Monty Alexander‘s Harlem-Kingston Express. The first non-symphonic concert I ever saw was at Newport in 1969: the bill was the Newport All-Stars with Tal Farlow and Ruby Braff, Miles Davis (with Herbie Hancock, Ron Carter, Jack DeJohnette, and George Coleman), Frank Zappa and the original Mothers of Invention, and John Mayall’s “Turning Point” band. Now I’m playing there myself, completing what has been a long, wide circle!
  • I did some recording this week on acoustic guitar with Marlon Cooke and Noel Parks (son of Lloyd Parks) producing. Tracks were for reggae artist Pressure.
  • I also did some recording with my old friend King Benj-I of TronicI Records for Jennifer Khan and a new artist whose name escapes me. (Benj-I told me but I didn’t write it down).
  • Lots of fun around town with Derrick Barnett and the Statement Band.


  • I am back in town and gearing up for a weekend with Derrick Barnett & the Statement Band. Details here.
  • On a sad note, my longtime colleague Mike Cacia has passed. Read about him here.


  • Monty Alexander‘s Harlem-Kingston Express sold out all six shows at Ronnie Scott’s in London last week, as well as our show at the Tel Aviv Opera House in Israel the week before. A great honor!
  • I’m getting down with Monty Alexander‘s Harlem-Kingston Express at Dizzy’s Club Coca-Cola all week. We have lots of special guests for this run, including Nyabinghi drummers Junior and Abba Wedderburn and Courtney Panton, vocalists Duane Stephenson and Wendell Ferraro, trombonists Andrae Murchison and Clark Gayton, keyboardist Earl Appleton, and guitarist Dan Wilson in addition to the regular crew. It’s a very crowded stage but I’m loving it. Details here.
  • Next week we take the One World Groove Party with Monty and HKE to the Blue Note in Honolulu, Hawaii for six nights! Tickets here.
  • I did a photo shoot for the cover of the upcoming solo project, and I’ve commissioned an artist as well. I did this instead of actually finishing the record, but in my defense I’ve been busy.


  • Lots of great shows coming up with Monty Alexander‘s Harlem-Kingston Express, Luciano, Marcia Griffiths, and Derrick Barnett and the Statement Band. I love to work! I will be going to Israel (for the first time), London, Hawaii, Manhattan, and Mount Vernon, among other places. I’m also performing with Monty at both the Newport and Montreux Jazz Festivals within weeks of each other. Since the first live jazz concert I ever saw was at Newport in 1969 (Miles Davis, Frank Zappa, John Mayall, and the Newport Jazz All-Stars with Tal Farlow), I’m pretty excited. Details here.
  • Progress on my solo album has been delayed due to the aforementioned love of work. However, I have planned the front and back covers. (I will release the album in physical as well as digital form, just not sure what form yet. Maybe cassette?) The front will be a cartoon by a major league comic book artist, and the back will reference a classic guitar album. Intrigued? I hope so. That’s the idea. I haven’t decided on a label yet. My son Ethan Bassford‘s company, Bassford Holdings, is the employer of record.
  • Photo shoot for the back cover is Saturday at Bassford Manor, the headquarters of Bassford World Enterprises, in the lovely borough of the Bronx, ancestral home of the Bassford family. The public is NOT invited.


  • Tonight I’m at Birdland with the Robert Silverman Quartet, opening for Karin Allyson. Details here.
  • I fought the IRS and the IRS won. You don’t want to know. I got zero work done on my album during the process. Anyway, they have their pounds of flesh.
  • I’ll be appearing with Island Head at the Falcon, a terrific music venue in Marlboro, NY, on April 29th.
  • A nice review of the Matt Anderson album I played on, “Honest Man,” here. It’s great stuff, a bit of a departure from what people know me for (and a departure for Matt, too). Buy it here.


  • I’m trying to find time to finish up my album in the midst of tax season.
  • I had a great mini-tour with Derrick Barnett and the Statement Band, backing Jamaican dancehall gospel artists Lieutenant Stitchie and Minister Marion Hall (formerly Lady Saw in her secular incarnation). You can see videos from the shows on my Facebook page. Add me as a friend while you’re at it!
  • I’ll be playing Birdland with the Robert Silverman Quartet on April 14. Details here.
  • Lots of appearances coming up with Monty Alexander‘s Harlem-Kingston Express, including dates at the Newport Jazz Festival (where I saw live jazz for the first time in 1969), Dizzy’s in NYC, and Ronnie Scott’s in London.


  • I visited Jakarta, Indonesia, and Bern, Switzerland with Monty Alexander. The Bern show featured Houston Person on sax and Herlin Riley on drums…the concert was almost as much fun as the dressing room hang! Jarkarta is an astonishing place…I will upload photos when I figure out my new iPhone.
  • I finally bought an iPhone (see above). The learning curve is steeper than expected, but I’m proud to be part of the 21st century.
  • Work on the solo album has been delayed due to gainful employment. I hope to have it done by tax time.
  • Three continents in two weeks: Asia, Europe, and Mount Vernon! This week I appear with Jim Wacker & Collateral Damage, rocking out at Big Billy’s on Thursday and the Bayou on Saturday.
  • Also on Saturday, I’m recording with the Brooklyn Attractors at the Relic Room, one of my favorite studios.


  • My recording debut with reggae legend Horace Andy has just been reissued by VP Records. I find this absolutely incredible. The story of how I came to record with Horace is perhaps even more incredible, but I’m saving it for my book. Anyway, this reissue has his approval and full participation. You can, and should, buy with confidence that the artist is actually benefiting from your support.
  • I am gathering myself for the next stage of my recording project. We’ve finished all the basic tracks. There is one song that requires a bunch of guitar parts, then we have to edit and mix. I recorded almost everything live, so there isn’t much to add. A number of gigs have come in, so my recording schedule may be pushed back a bit. I was hoping to have everything done by the end of March. It’s still possible but I’m not taking bets.
  • I’m very excited about my upcoming trip to Indonesia with Monty Alexander. I am much less excited about the twenty-five hours plus it will take to get there.
  • New post about my solo project here.


  • The long-delayed followup album to my 1985 hit single “Skateland Rock” is well on its way to completion. We finished the final band tracking date on Saturday. I’ll be posting a short video from the session soon.
  • Lots of appearances coming up with Monty Alexander‘s Harlem-Kingston Express.
  • I’m playing with Robert Silverman at the Sugar Bar in Manhattan this Friday. Details here.
  • On Saturday, I will be performing at B.B. King’s in NYC with the Cannabis Cup Band at the 20th annual Bob Marley Birthday celebration.
  • On Thursday 2/11 I will be appearing with South African singer Christine Vaindirlis at Lucille’s Grill, also in B.B. King’s NYC.


  • I’m trying to schedule the final tracking session for my solo project at Eastside Sound before the end of the year. It will feature Clark Gayton and many other friends. Then, it’s time to finish overdubs (there aren’t many, we did it mostly live), edit, and mix. The amazing “Commissioner” Gordon Williams is helping me out on the technical end.
  • I did some recording with Orrin Bolton this weekend. I can tell you that there is more than one singer in that family!
  • New additions to my Discography and Performance Videos pages, including a highlight from my one night stand with the Queen of Soul, Aretha Franklin. (You can’t see me, except for my right foot under the piano, but you can hear me!)



  • I have a mammoth day of recording for my solo project scheduled for August 22. It will feature amazing talents on both sides of the glass.
  • Of course, instead of writing charts for my album, I spent the last week recording with Matt Andersen, a terrific singer/songwriter from Nova Scotia. My longtime friend and colleague Commissioner Gordon produced.
  • I’ve also been doing more studio work for hip hop artist Lanskey and reggae tracks for Tronic1 Records.
  • I’ll be headed out west next week with the incredible Monty Alexander‘s Harlem-Kingston Express. We’re playing in Denver and LA, both of which are exciting prospects. Details here.
  • Closer to home, I’m playing with Robert Silverman at the Sugar Bar in Manhattan this Friday and with Island Head at the Falcon in Marlboro, NY on August 20. Details here.


  • The first sessions for my new record went well, I’ll be scheduling more this month. There will be notable special guests, and a large cast of characters. We’re tracking to 8-track analog. Fun!
  • Upcoming shows with Derrick Barnett and the Statement Band, details to follow. We’ve been hiding in various studios in the Tri-State area for a while but we will be hitting the stage soon.


  • Whew! After a whirlwind summer, things are slowing down a bit, which is just as well. Why? Because I’m working on my first solo album at the Relic Room.
  • New additions to my discography.
  • I added guitar to three different projects for Derrick Barnett’s Allman Town Productions on Sunday: a DB solo album, our Derrick Barnett and the Statement Band album, and another album by a legendary artist whose name I will not disclose now.
  • More work for King Benj-I and Tronic1 Records this week.
  • I did some weddings with Brooklyn stalwarts The Engagements and the EV Band, subbing for the amazing Matt Chertkoff on the latter gig.


  • In spite of the fact that the volume of my session work has been way down for most of the year, I’ve started getting calls again. Praise the session gods with great praise! I’m finishing up King Benj-I’s latest album for Tronic1 Records, as well as a couple of other things I can’t talk about yet.
  • I’m off to the south of France on Thursday for two shows with Monty Alexander’s Harlem-Kingston Express.
  • The first session for my long-deferred solo album project is finally scheduled for September 19th at the Relic Room.


  • On Sunday, August 9, we will NOT be appearing in Philadelphia with assorted I-Threes, et al, as previously announced. The show has been rescheduled to September 7th. Unfortunately I will be at the Detroit Jazz Festival with Monty Alexander‘s Harlem-Kingston Express that day so I won’t be present…unless they reschedule the reschedule, which isn’t impossible. The working musician learns early on that NOTHING is guaranteed.


  • I’ll be performing with two of the three I-Threes this weekend as part of Derrick Barnett and the Statement Band. We are at Foxwoods in Mashantucket, CT on Saturday, August 8, backing the legendary Judy Mowatt and opening for the equally legendary Beres Hammond and his great Harmony House band and singers. Details here.  I opened for Beres in Newark and Brooklyn last weekend as part of Monty Alexander‘s Harlem-Kingston Express and he was spectacular both nights.
  • On Sunday, August 9, we’ll be backing Judy again, along with fellow I-Three Marcia Griffiths and young reggae lions I-Wayne and Kenyatta Hill, at Trench Town Rock, Bob Marley’s 70th Birthday Celebration, in Philadelphia at Fairmount Park. Details here.


  • I’m recording with Monty Alexander‘s Harlem-Kingston Express in Brooklyn for four days! We’re working on two albums simultaneously; I’m sworn to secrecy as to the contents. The legendary Steve Jordan, drummer/producer extraordinaire, is helping us out with the production.
  • Monty and HKE will be opening for the mighty Beres Hammond on July 31 at NJPAC in Newark and August 1 at the Kings Theater in Brooklyn. Details here.
  • I will also be opening for Beres yet again on August 8, with a different group, Derrick Barnett and the Statement Band. We will be backing the legendary Judy Mowatt of the I-Threes at Foxwoods Casino in Connecticut. Details here.
  • The next day, August 9th, we back another legendary Jamaican songstress and I-Threes member Marcia Griffiths along with I-Wayne and Kenyatta Hill at the Philadelphia Jamaica Festival. Details here.


  • Tonight and Friday, I’m playing with drummer Pat Van Dyke’s jazz/hip hop project PVD. This is a whole new area of music and musicians for me and I’m looking forward to it. Tonight is at City Life in Jersey City, Friday is at Duke’s Southern Table in Newark. Details here.
  • I will be appearing at the Hartford Jazz Festival in Bushnell Park next Friday with Monty Alexander’s Harlem-Kingston Express. As a young musician, I regularly attended the free Monday night jazz concerts in Bushnell Park and wondered what it would be like to play there…now I’ll know! Best of all, it’s free.
  • I played on a track for the excellent Japanese producer Fumibella on Sunday. The artist’s name is Hisatomi, no idea about the release date, but Fumi was in a hurry!
  • Here’s a new post! About time.




  • This is a post from my friend Clark Gayton, one of the finest musicians I know, on an issue dear to my heart.
  • I’m off to Europe on Sunday with Monty Alexander’s Harlem-Kingston Express for a week. We had a great time at the NOLA Jazz and Heritage Festival last week, and I expect the party to continue. Find out about the shows, and other gigs I’m doing, here.
  • Sessions for my solo album are proving difficult to schedule…


  • I’m appearing with the Cannabis Cup Band tomorrow on the Rocks Off 4/20 Cruises. Go here and here for tickets and details.
  • I will be appearing with Monty Alexander’s Harlem-Kingston Express at Koerner Hall in Toronto next Saturday and at the New Orleans Jazz and Heritage Festival on April 30. More HKE dates are in the works, and I couldn’t be happier about it. Details here.
  • The long-threatened AB solo album is in the works! I’m starting to schedule sessions for May. May of this year, wise guys. I don’t want to say too much about it now, other than it could be described as old wine in new bottles.


  • I’m appearing with Monty Alexander’s Harlem-Kingston Express this Thursday through Sunday at the Jazz Standard in New York City. We have shows twice nightly at 7:30 and 10:00 p.m.
  • We just played at the Burghausen Jazz Festival, Europe’s longest continuously running jazz festival. It was a wonderful experience, and was filmed for German television. Burghausen is a village of 18,000 people in Bavaria, on the Austrian border. How they came to host such a well-run and long-running event is a mystery to me, but it speaks to what a determined group of people can do if they put their minds to it.


  • I’m appearing with the Robert Silverman Quartet at the Sugar Bar in NYC tomorrow night, and with Jim Wacker and Collateral Damage in Yonkers on Saturday. Details here. I’m also trying to figure out my newest (top secret) recording project…finances are always an issue, and never more so than in these days of nonexistent record sales.


  • Big news!! For those of you who have been asking when I will do an Andy Bassford record, I now have an answer for you. I just did! At least I’ve started it. Go here to buy!


  • I’m appearing with Derrick Barnett and the Statement Band this Friday at A Place 2 Go, then on Saturday I’m off to Fort Lauderdale with Monty Alexander’s Harlem-Kingston Express to take part in the Jazz Cruise. (Sorry, it’s sold out!)


  • After a thirty-year gap, I’m resuming my solo career. I’ve just mixed a solo acoustic 12-string version of “Rivers of Babylon,” which I will be releasing digitally as soon as I figure out how that works!


  • The first post of the New Year! New year, new tablet-friendly website, new gigs with Monty Alexander‘s Harlem-Kingston Express! Tomorrow night we will be at the Miami Beach Jazz Fest. The last week of the month we will be part of the Jazz Cruise 2015, along with a truly jaw-dropping lineup.
  • I’ve written my first tunes for my new group, Andy Bassford’s Jazz Conspiracy. We’ll be debuting them in February at the Jazz In’It series at Mystique Lounge in the Bronx.


  • New tablet-friendly website coming soon! Now that I’ve had my website up for a couple of years, I’ve realized what parts of it people are responding to, and what parts have been replaced by such things as Facebook. It’s also a different viewing world now, so I need to adapt accordingly. Webmaster to the stars Jeff Macaluso is implementing my  new vision, as he did the current one; I’m sure you’ll like it.
  • I think I just set a personal record for distance traveled between consecutive one nighters. Here are the steps:
    • Wednesday night show with Monty Alexander’s Harlem-Kingston Express at the
      Jazz Club in Bülach, Switzerland to hotel: .5 miles
    • Thursday morning drive from hotel to Zurich airport: 7.1 miles
    • Zurich airport to Amsterdam airport: 375.5 miles
    • Distance between gates in Amsterdam airport: .5 miles
    • Amsterdam airport to JFK terminal 4: 3637.9 miles
    • JFK terminal 4 to JFK long term parking: 3.9 miles
    • JFK long term parking to the venue, Treme in Islip, NY in time for a Thursday night show with Island Head: 37.1 miles.

This brings us to a grand total of 4062.5 miles by car, train, and plane. I’m not complaining, I love what I do! But there is a certain amount of effort involved behind the scenes.


  • New additions to my discography. These include the newly released New York Ska-Jazz Ensemble’s “Free As A Bird,” which you can buy here.


  • Sad news from Jamaica: The great Roots Radics drummer Lincoln Valentine “Style” Scott is dead. My memories of him are here.


  • A quiet week coming up, after ten HKE shows at Dizzy’s, I’ll take it!


  • It’s ON! Monty Alexander and the Harlem-Kingston Express will be appearing at Dizzy’s Clup Coca-Cola, one of the world’s great jazz venues, this week from Wednesday through Sunday night. Get details here.
  • After the last show I will be racing up to the Country Kitchen in Pelham Manor to sit in with my group the Jazz Conspiracy. The wonderful George Naha will be subbing for me. Details here.
  • We had a wonderful show in Salt Lake City on Saturday. The JazzSLC Foundation, led by Gordon Hanks, did a fine job and the Capitol Theater reminds me of the Bushnell Auditorium in Hartford, where I saw dozens of concerts growing up. Gordon is a lovely man who does great work to bring the music to a place that you don’t normally think of as a jazz mecca. I look forward to going back some day.


  • Tonight! Island Head at my favorite venue, A Place 2 Go! The legendary Mikey Chung will be rejoining us on guitar. Our show last night at Treme was great fun, and very well attended. Thanks to everyone who came out.
  • Lots of new gigs with with Monty Alexander and others coming up.
  • The long-threatened tablet-friendly website design has taken another step towards completion, courtesy of Jeff Macaluso, web designer to the stars.


  • A lovely review of Monty Alexander and the Harlem-Kingston Express here. Thanks!
  • Our tour of the Medical Marijuana States continues with a show in Vail on Thursday, two nights in Aspen on Friday and Saturday, and San Jose on Sunday. Then we end at the Marciac Jazz Festival in France. Details here.


  • Tonight! A rare live Island Head live show at my favorite venue, A Place 2 Go! We are still getting regular airplay on Sirius XM The Joint.
  • My band The Blue People is now available for booking here, along with many other great acts.
  • Here I am live at the Montreux Jazz Festival with Monty Alexander and the Harlem-Kingston Express!
  • Playing live at the Westchester Tavern with Jim Wacker and Collateral Damage for Jim’s CD release party on Saturday. Buy it here so you can sing along!


  • Here’s a very nice article about Monty Alexander and the Harlem-Kingston Express albums. Thanks!
  • I had an amazing time at Groovin In The Park this Sunday, backing L.U.S.T. along with the rest of Derrick Barnett and the Statement Band. Air Supply, Beres Hammond, Chronixx, Marcia Griffiths, Bob Andy, Judy Mowatt, Ken Boothe, Tony Gregory, and lots of my old Kingston musician friends were in attendance. My Facebook page has pix of some of the fun.
  • My band, The Blue People, is available for summer bookings. Check us out here.


  • Wow! Too busy to update! I just got back from Ronnie Scott’s in London with Monty Alexander. A good time was had by all.
  • My band, The Blue People, is appearing this Thursday at a benefit for these folks. Details here and here.
  • I’ll be with Derrick Barnett at A Place To Go this Friday and we’ll be backing L.U.S.T. at Groovin’ In The Park on Sunday.


  • Lots of recording and performing recently, two of my favorite things. I’ll be with Derrick Barnett at A Place To Go this Friday, playing with The Engagements at a private event on Saturday, and with my new group, finally named Andy Bassford’s Jazz Conspiracy, on Sunday. Click here for details.
  • I’ve also been in the studio with Michael Tate’s 3D, roots producer Fatta, and Howard Erskine for Trackheadz Entertainment.
  • I removed a lot of older entries from this page, in preparation for the tablet-friendly redesign of this site, now in progress.



  • The second “Jazz In’it” concert at the Wembley Athletic Club in the Bronx, featuring my new project, Andy Bassford’s Jazz Conspiracy, was a success. The wonderful George Naha filled in for me until I could get there from my 4/20 boat ride with the legendary Cannabis Cup Band. We’ll be doing it again on May 18th and June 15th.


  • Here’s an interview I did about the genesis of “Boxing” by Cornell Campbell, a record that people still listen to.
  • More dates with Monty Alexander’s Harlem-Kingston Express! It looks like I’ll be traveling more this summer than I have in a while. Fine with me! I love the Bronx but it’s nice to get out and about to see what the rest of the world outside the NYC Metro area is doing.


  • I just recorded an EP with the New York Ska-Jazz Ensemble. Look for it to be released soon.
  • I’m going to Japan with Monty Alexander! Details here.
  • The new Monty Alexander album is out, meaning that I have updated my discography. You can buy it here.
  • Before that, I’m on a boat with the Cannabis Cup Band for 4/19 and 4/20. Details as above.
  • We’re doing a Blue People video shoot next week for the AFM Local 802 booking agency. The group recently did a private party at the West Side Tennis Club in Forest Hills, a new area for us.
  • My new jazz project, Andy Bassford’s Jazz Conspiracy, will be performing in the Bronx at the Wembley AC. I’ll be joining them as soon as I can get there after the CCB boatride. Again, see here for details.


  • I will be appearing with Monty and the crew at Brooklyn College tomorrow night. Details here.
  • My gig at Xpressions was a blast, and more dates as a leader are coming up soon.
  • I’ll be all over the map with Monty Alexander this summer. So far we have confirmed dates in Japan, London, NYC, Colorado, Seattle, St. Lucia, France, and Italy! Details to follow.


  • I have my own gig as a leader!! I’ll be playing jazz this Sunday night in the Bronx at Club Xpressions from 7 to 11 p.m. with some great friends and musicians. Go here for details.
  • The new Monty Alexander Harlem Kingston Express 2: The River Rolls On album, on which I played, is coming out in April, but you can preview and preorder it here.
  • I will be appearing with Monty and the crew at Brooklyn College next Saturday night. Details here. Plus we’ll be on the road a lot this summer, so more of you will have a chance to see us. There’s nothing like playing an NYC jazz club, but I’ve been off the road for a while and look forward to doing it again.
  • The design for the more tablet-friendly www.andybassford.com site is coming along well. Soon we’ll be smaller and more mobile. I wish I could say the same about myself!


  • For the last two days and nights, the New York City reggae community has been celebrating the life of the late great Philip Smart, who passed a few days ago. This is an incredible loss to all of us, and in honor of his memory I wrote a tribute to him here.


  • Gigs! See here! Including Island Head‘s second live show ever! We are still getting regular airplay on Sirius XM The Joint.
  • I seem to be developing a parallel career as a panelist/radio guest. I appeared at the Coalition to Preserve Reggae’s panel discussion on the music’s future last Thursday evening in Brooklyn, and I have another offer to appear on a TV show, which I am trying to fit into my schedule. Strange, but not unpleasant.
  • The redesign of the website is still in progress…
  • Lots more Monty Alexander and the Harlem-Kingston Express shows in the pipeline.